The Thing Art Print Poster Mondo Horror James Rheem Davis
GIANTSUMO is the brainchild of James Rheem Davis. JRD was born in San Francisco, CA and raised in the Bay Area, but at present resides in Phoenix, AZ. He uses his full birth proper noun, just is not a series killer. He is neither a Giant nor a SUMO, there are reasons behind it, just for now information technology is whatever you want it to be. He is just a very dull private who enjoys movies, music and especially cookies. JRD has created designs and posters for a wide variety of bands in two distinct styles. His art has an inspiring twisted beauty that draws from a diversity of influences, including MTV (When they played videos), horror films, and pop culture. Major influences include Andy Warhol, Salvador Dali, Frank Kozik, H.R. Giger, Dave Mckean, David Carson, Phil Unhurt and Kent Williams.
Nerdlocker (NL): Most know you as JRD, is that cool if I just refer to you as James for this interview?
James Rheem Davis (JRD): No problem, I've been called worse.
JRD: It depends on each poster. Matt handles the aircraft on most of the CO releases past himself, which can be overwhelming at times. He really doesn't get the credit he deserves for taking intendance of everything. I handle most of my releases by myself likewise. We both strive to get the posters out to the customers asap. Although, sometimes things happen and yous become behind a bit. I remember for the most function, we've been very good at getting them out in a timely manner.
NL: I take never had any bug with getting a print in a timely manor from either one of you guys, and yous are so correct, Matt P. does not become the credit he deserves, the guy is a frickin' machine! I accept been speaking to Matt and I got something lined upwards for an interview with him in a few weeks, I know he is going to say the same thing about you lot. Okay now back to yous: I read on your web page that yous recently had been asked to exist a role of the Rock and Roll Hall of Fame and Museum regarding having some of your gig posters entered into the archive, how did that come near?
NL: That has got to be quite an award man…I would totally have freaked out, I'g serious. I would have just came unglued, just once again that's why you are a professional person artist and I only write most you. And so how many pieces do you actually have in their catalog now?
JRD: Yeah, very absurd. I believe there's over 80 posters, possibly more.
NL: How young where yous when you first became interested in drawing and at what age did you start designing gig posters and motion-picture show posters?
JRD: I recall doing fine art since I was very young. My older brother was ever drawing really absurd stuff. I looked upwardly to him and he has been a major influence on me not only equally an artist, simply as a human being. He's a better illustrator than me, too. My younger brother was besides very talented but lost involvement as he got older.
JRD: My older blood brother works in the corporate fine art earth. My younger brother is in a non-art field.
NL: I am curious as to your art style and I wanted to know do you do some of your stuff by hand or on a estimator or practise yous scan it in and redraw? There are so many ways of doing artwork nowadays
JRD: It'southward a combination of computer techniques. I exercise everything in Photoshop. There is photo manipulation with some drawing by hand in Photoshop, textures and fonts.
NL: You take such an amazing style for your gig prints and picture prints, I have heard information technology called "institute art collaboration." If you lot had to put a name to your style what would you call it?
JRD: A headache! Establish art collaboration is expert. I guess the best way to describe it would exist to take multiple images and textures from dissimilar places. Then take bits and pieces from each of them to create one new image. Kinda' like a mad scientist. If you've washed it right, hopefully, people will think information technology was 1 prototype to brainstorm with.
NL: Well be proud of what you lot telephone call a headache, I thinks it'due south what makes yous YOU! It has created the JRD style. Your work is so much dissimilar then near, I kind of look at it equally controlled chaos. How much influence do horror films, genre movies, exploitation movies and the pop civilisation craze play into your style?
NL: I can imagine what goes through your listen when you have an idea in your head about a impress. Information technology has got to be fun sketching ideas that come to you…the hard part is putting that on paper. I also read that this is non your full-time task, just given the opportunity practise you believe you could produce enough work to support this as a full-fourth dimension gig? And would y'all?
JRD: No, it'southward non. My full-time task is not-fine art related. I used to make a full-time living off of my art, merely now I've gotten lazy and I prefer to work on projects that interest me rather than have to do them to survive. I guess if the perfect art job presented itself, I would consider information technology.
JRD: Yes, the human being, the myth, the fable known as Rob Jones was kind enough to give me an opportunity back and so. I'thousand very proud to have been a part of their history. I'm not sure when the exact change happened from Alamo posters to MONDO posters, but it has been very inspiring to watch what they have get. I would love to work with MONDO once again.
NL: MONDO is doing some amazing things hither in Austin, Texas, I'g sure it wont be long before you are back in their rotation before long. I accept seen some of your recent work and you are cranking out MONDO types of piece of work. I'd like to meet you do some more shows. Jay Shaw (Kingdom of Nonsense) and John Vogl (The Bungaloo) recently asked yous to create a poster to honor Mr. Sidney Lumet for their upcoming 'The Machines Are Winning – A Tribute To Sidney Lumet' prove. Would you lot be interested in more of those type of shows also?
JRD: Aye, Jay is part of twenty Eyes Commonage which is a small art and pattern company started by Danny Miller, Matt, Jay and myself. Nosotros're slowly working on some new and exciting projects. I think it'south safe to say nosotros all love those types of art shows and at that place will be more in the futurity.
JRD: Again, nosotros can thank Rob Jones for that size. I'g pretty sure my Alamo posters were supposed to be 24″ x 36″ however, they concluded upwards being a tad shorter at 24″ x 34″. Once I got involved with Cinema Overdrive, they were doing smaller posters then I requested to practice the larger size. Due to client demand, the smaller eighteen″ 10 24″ posters were also created. In that location really are no rules in terms of sizing. I call up those sizes are popular because yous tin get standard frames for them at most frame stores. Custom framing can be really expensive, however, some of the results are amazing. I'thou e'er blown away when someone sends me a picture of a poster I created framed and hanging in their abode. Information technology's pretty fucking rad!
NL: I recollect how cool it felt to transport you lot a picture of my Robocop variant framed waiting for space to be hung in my tiny dwelling house. Unfortunately you lot are so right, custom framing is expensive at times and then it sits in a standard 24″ 10 36″ frame from Michaels, but sending you a picture of it, even in an el cheapo frame, now that's fucking rad. What is your nearly cherished print of your personal collection?
JRD: Frank Kozik's Soundgarden/Pearl Jam poster (2nd printing) and my Tyler Stout's The Thing and Robocop metal variant. Frank was one of my inspirations in the rock art affiche globe. I was really drawn to his style and use of colors. I accept other work by him, including his Nirvana poster which he was kind enough to sign for me dorsum at the first Flatstock in Southward.F.
JRD: No, I haven't seen it, but I practice have Tyler's variant of it. I'm certain the metal version rules them all.
NL: You practice screen prints, you do shirt designs for Fright Rags, and CD covers for bands. Is there annihilation else I'k missing?
JRD: I studied flick making when I was younger and it's something I always wanted to get back into. I'd like to accost it this year, but may terminate upwards getting to information technology early next twelvemonth. The problem is every time I set time aside for information technology, another art project comes upwardly.
JRD: Where are the bodies?
NL: Then…where are the Bodies? I had to enquire. Just seriously, down to the Nerdical questions. What is your favorite moving picture? I'k talking if y'all had someone saying, "Sorry, James, y'all can only pick one moving-picture show, this isn't Redbox." what would information technology be?
JRD: Homo, that would suck! There are so many great movies out in that location. I'd go with…John Carpenter's The Matter.
NL: DING DING DING You lot WIN! My second favorite motion picture of all fourth dimension; Blade Runner existence number one and Big Trouble in Footling China being number three. I was a fleck disappointed when they did a prequel to The Matter concluding twelvemonth. I mean it wasn't bad but it definitely wasn't John Carpenter. What did you lot think?
JRD: I just eastward-mailed Tyler most the prequel non long ago. I had put it off when it came out on DVD. I didn't want to watch it. As near of you know, Tyler is a huge Thing fan. I think it's rubber to say we had similar feelings about the prequel. I sympathize what they tried to practice, simply some things should be left alone. That'southward really not a fair question. After I answered that, so many awesome films come up to mind. You guys should practise a movie poll on your site and break information technology downward into unlike categories. Accept people vote on their tiptop five favorite films of all time, like action, horror, sci-fi, comedies, etc.
JRD: I grew upwards on stand-up, Atari 2600 and Intellivision. Then it was Nintendo and Sega Genesis. Then it was on-line gaming shooters like Unreal Tournament. I was seriously addicted to that game. I would play it for 6-to-eight hours a night back in the day. My girlfriend had to delete it off my figurer and throw out my disc to get me to finish.
NL: Hell aye! I was an Atari 2600 kid myself, Yars' Revenge, Pitfall, and all those versions of Tank and and then of course I moved on to Nintendo, played Zelda until my fingers were bleeding. Nowadays the shit on PS3 and XBOX 360 looks and so real it'south scary.
NL: What is your favorite comic book or comic book character and why? You can totally elaborate if you desire to, man.
JRD: My favorite graphic symbol is probably The Punisher. I had every issue, including his outset appearance in The Amazing Spider-man. I liked the fact that all he wanted was to punish bad people and he wasn't going to terminate until someone killed him. That'southward dedication. Unfortunately, I had to sell most of my collection. I as well liked Elektra: Assassinator. Smoking hot sai-wielding babe! Also bad they screwed up those movies. One of my favorite comics was the 3-issue Difficult Boiled by Frank Miller. The artwork by Geof Darrow blew me abroad. I even so accept my original copies.
NL: I dig The Punisher myself, oh and don't get me started on Frank Miller. I just read somewhere that a Sin City sequel is a become for Robert Rodriguez and Frank Miller. Word around the military camp fire is they are courting Mel Gibson to join Danny Trejo for the film. They are expected to begin production this summer at Rodriguez's Troublemaker Studios here in Austin.
I have to say thanks for letting the world into the life of an creative person as mysterious as his work at times. You are definitely an creative person with a vision and it shows in your work James. I would like to cheers for your generous offer of an artist interview tradition here at Nerdlocker and giving away a few prints for our usual social media giveaway for the fans. And brother, you take plenty of fans.
Okay Nerds, James has kindly donated three separate giveaways for our social media contest. 1 winner will take a shot at a copy of the extremely rare The Princess Bride wood variant. One of merely twelve copies in the world! He also will be giving away a copy of his NEW regular version of A Nightmare on Elm Street impress likewise as a re-create of his Henry: Portrait of a Serial Killer poster. That's THREE chances to win Something! Stay tuned for details on the contest.
If you are interested in purchasing some of James Rheem Davis' older piece of work, go to his website Giant Sumo which James is neither of, merely the name sounds and so cool it makes you want to go in that location. Since James is also 1/4 part of xx Eyes collective, that includes Jay Shaw, Danny miller and Matt Pennachi, exist on the sentry for interviews with the remainder of the commonage soon.
You tin as well stay informed on James's print drops, by signing upwards for his mailing listing hither. Just state in the e-mail that you want to exist notified of his future impress releases, and of course that Nerdlocker sent you! James is old schoolhouse and handles all his impress drops and shipping himself but I have never had to wait more and then iii days for a print from the guy; he is aces. Proceed checking Nerdlocker for more than giveaways and exclusive interviews!
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